She looked at herself in the mirror that covered the back of the stage area, and, with her finger on her right hand, thumbed the `house lights' dimmer knob in a slow circle to kill all the lights in the room but the lights on her stage.She looked at herself in the mirror that covered the back of the stage area, and, with her finger on her right hand, thumbed the `house lights' dimmer knob in a slow circle to kill all the lights in the room but the lights on her stage. She picked up the beat and the rhythm to the song playing in the background and began to rotate her hips in a circle and move her feet in perfect timing to music's base beat. As she picked up the movement of her body in time to the song she began slowly to turn toward the men seated along the U-Shaped bar and smiled at each and everyone one of them as she made a full rotation back toward the mirror. They applauded, enthusiastically, and she went on through the number making a concerted effort to keep her legs fairly well closed through out the entire number. As the music faded away from her first danced song, she turned back toward the mirror and hit the "kill switch" for the stage lights on the box in her right hand. The light died quickly leaving the room pitch black and Linda moved swiftly to take her "opening position" (chuckling to herself about the obvious pun as she did). It was silent in the room, dead quiet, --- with only Linda's slightly laboured breathing audible when the next song started, a tune that began with the crescendo music from the famous sound track of "2001 - A SPACE ODYSSEY". The music rose in both volume and instrumental focus and pitch toward it's volumetric and rhythmic "climax" --- and as it ap- proached the crescendo effect she had played it for, --- she screwed the little light intensity knob on the box in her hand down until it was in the off position and pushed the little `black light' button. Her audience saw nothing in the midst of the 2001 uproar and then as the music built toward it's climaxing crescendo and the lead up to it, what they saw, or started to see, brought audible hisses of inward passing breath from the male mouths to Linda's ears. For --- there --- in front of them --- on the raised platform --- was a perfect pair of female nether lips outlining a female's sex canal in decreasing shades of intensity as the eye viewed inward toward the black, spread, opening of her deepest sex and seat of pleasure and passion --- and above and behind the display stood two glowing peaks, the pierced but ringless breasts of the erotic dancer spread before them on her back, arched up on her head, feet flat on the floor and knees bent at ninety degrees so that her straining back arched above the platform and her wide spread legs provided a darkened and unhighlighted set of very dim fleshy arrows pointing at the erotic display before their eyes. |