She ovaled her lips into a cock sized "O" and put the finishing touches on them so that they framed the deep, soon not to be empty, ovaled circle that led into her open mouth.She ovaled her lips into a cock sized "O" and put the finishing touches on them so that they framed the deep, soon not to be empty, ovaled circle that led into her open mouth. Then she went to work on her nipples and breasts and when she was done, they also, stared back from the mirror at her in sexy, sensuous splendour and flesh tone tints ranging from the colour of her white skin through the colour of her tanned belly to a very scarlet orange fluorescent colour on the nipples. She stood up in front of the mirror and shaded the scar in on her underbelly --- the one from her operation --- and blotted out the stretch lines on the sides of her lower midriff. Satisfied, she put her foot up on the far outside of the dressing table and cranked her remaining foot, on the floor, outward toward the other end of the table. With one hand, she reached down and spread the now opening lips of her sex and, with the other hand, picked up her makeup and started to tint her hair surrounded lips in varying shades and colours of the body, en- hancing the natural colour and adding the same fluorescent tones and quality to the portalled entrance to her womanhood. When she was finished with her handiwork, she laid the makeup down care- fully on the dressing table, and without closing her spread legs, reached under the dressing table and flipped a small switch at it's under edge. The overhead lights in the dressing room went off, as did the makeup lights surrounding the large dressing table mirror, and in their place the familiar "black light" glow of ultra-violet light shimmered outward from the edges of the now dimmed mirror into the darkened room. As Linda gazed, numbly, into the mirror, it reflected back a glowing, sex-filled image of four distinct portions of her now thirty year old, slim, five foot seven inch womanly body --- she ovaled her lips and spread her legs wider as she examined her "artwork" with satisfaction. There, before her glazed eyes was a three level, four position image of the female organs and mouth of the soon to be "dancer in the nude" for John's "Business Associates". The image was such that a viewing male would see first and foremost, the sex, breasts and mouth of their "enter- tainer" of the evening, and perhaps, they never would really see much else, under the black lighted Go-Go Stage Lights and dark- ened lounge. |